• if you wanted

    i see things in you, you know?  maybe that is why i like you in the first place, because i see the same longing inside you that i feel inside me, that exists as part of me. i feel your longing as resignation, an evening vesper said to no one and everyone all at once. 

    there’s this way about you, magnetic, needy, but also closed. you keep things inside and choose to not explain, and that reminds me of how i do the same. 

    a container, rather than its contents. 

    i think that’s why i find myself captivated because the pain inside me recognizes that same pain within you. somehow it’s comforting to me, in a weird sick way, to know that others ache like i ache. maybe that’s what happens when you spend your life feeling like a freak and feeling so deeply, when it seems like everyone is running around carefree and easy money, easy street, easy pussy. 

    some are born to sweet delight, it’s true, but for me and my endless night, it’s never been that way. 

    i hear it too, you know, in the things that you say, the words you write (or don’t) because i know how to listen. maybe you aren’t even aware of how you speak or the weight of your words. 

    it’s in the back and forth and our play, this drama we enact and i hope you see me seeing you and that perhaps you see me too. do you think of me and my two hands and my dark hair and easy smile, the jokes i tell to hide the horror?

    i want to love you, maybe i already do, but not like a lover, not like that, but like family, like a sibling. were we not weaned together on the same exhaustion of this life?

    can you speak my language of omens and dreams and feel the heartbeat and the grief and the rage or do you just seem like you can, seem like you would?

    i write letters to you that i don’t send and i burn them to ashes over beeswax candles in my kitchen sink. i rehearse things i want to say to you in my toothpaste splattered bathroom mirror but i keep my mouth shut around you. 

    i can’t tell you that i see you, so i write secrets instead and hide them inbetween stanzas and lyrics hope you feel this knowing that i witness. i witness without consumption and without possession too because i don’t want to possess or consume you. i just want you to know that i see and hope maybe it will comfort those uneasy parts of you. 

    i bear witness, its what i was called to do. 

    but, do you witness me back?

    maybe it is foolish, this desire, this want. 

    maybe it is unfair to hope for this from you. 

    i don’t want to posses you, no, but i want easy conversation and this witnessing. i want a kitchen table late night laughing until our sides hurt and we feel medicated and refreshed even though it’s 0400 and the candles have burnt low and we ate all the food and smoked too many cigarettes in the garden. 

    i would take you to my favourite places and perhaps they would enrich you like they enrich me, heal you as they heal me. 

    but maybe that’s stupid too. 

    expectation leads to disappointment, better to not expect things, better to not desire them, this i know, dharma bum, dharma punk, this i know. 

    but isn’t it human to want just a little. 

    isn’t it chaste and humble to seek mutual witnessing. 

    i could love you, you know.

    if you wanted. 

  • fragments 0.9

    biological systems

    thrift shop textbook

    1974

  • it’s not stupid

  • axel ruby – “rokokoro”

    i am sentimental and protective of weirdness, weirdness in both myself and in others.

    i find a lot of beauty and meaning in the work and being of people who give themselves over unapologetically to this act of rebellion.

    it might be why i have found myself fascinated with axel ruby – a swedish doctor (yea) who wears a wig and makes this strange music that i cant seem to shake from my mind. i became acquainted with his work last year following the release of “kristall” his debut album and his strange music has become an ongoing feature in the never ending playlist of my life, with certain songs i find myself returning to over and over (titanic, jupiters vingar, blommor sprit och andra things and of course kalvin clyne).

    axel has a way of writing these poetic turns of phrase that i find relatable in some of the best and most esoteric ways – experiences that are specific but visceral:

    du mumla nåt om paradise
    chauffören drack lean
    han gav mig life advice

    which translates to

    you mumbled something

    about paradise

    the driver drank lean

    he gave me life advice

    specific vibes for specific times and ive been in that car with those people, speeding the wrong way down a highway talking about nirvana, on a horrific amount of chemical drugs. there’s this brokenness about it, this fracture. i appreciate that little bit of decay that peeks out amongst a dance beat, that little bit of swedish gothic.

    axel’s new song “rokokoro” came out today and like previous work of his is delightfully strange.

    one of my personal interests is high altitude mountaineering. i would never do it of course, but i like reading about it, these adventures of others, driven by something, up to great heights. “rokokoro” examines that drive in a more metaphorical sense of the things that drive us – life, career, aesthetics, whatever and i appreciate that weaving of reality with metaphor. most people don’t climb everest, but almost all of us are climbing some kind of peak inside, and we fall and keep climbing again. there’s something almost holy about being able to stand back from the peaks and examine them and our fellow climbers in all of our beauty and ambition and just drink in that sight.

    in japanese, the word “kokoro” means heart/center/spirit of a person. im not sure if this is partially what axel is referencing. the “rococo” movement was highly aesthetic and decorative, excess for the sake of excess. some of the lyrics line up a bit with that idea, at least for me.

    some stand outs:

    kom ner från the stars

    (come down from the stars)

    and

    båda två mår sämre än vi låtsas må

    (both of us feel worse than we pretend)

    -this line written by Alexander Juneblad

    and

    all här vet att vägen ner e den mest farliga

    (everyone here knows the way down is the most dangerous)

    and i love that last one because it mixes the metaphor with reality – in high altitude mountaineering, coming down is considered dangerous. summiting the peak is not the goal – it’s getting up and then back down.

    and i appreciate that

    the music is a bit of a departure / evolution. very sitar driven almost bhangra inspired.

    and i like it well enough.

    as per usual with the music of axel ruby, this song will not be for or resonate with everyone. and really, i think that’s sort of the point anyways. it’s weird in such a unique way and i think that’s why ive been in a listening loop with it.

    there’s just something about it.

    so, axel, as always, from one weirdo to another – thanks.

    “rokokoro” is out now via random bastards

  • fragments 0.8

    50/50 tickets from round dance

    march 7, 2026

    (i didn’t win)